OK. The Man Behind Winkies is completely odd and bizarre and doesn't fit any of the 'reincorporating people she knows' business. The botched stealing-the-little-black-book scene never is given a real motivation, and certainly didn't need to be incorporated in. The business about the Cowboy and his programmatic statements about attitude don't fit, not to mention the number of times we see him and how that fits in to what is stated in the time frame. If we're making use of her life, where does the Silencio business come from? Plus there's the business with the ash tray in the first RL lesbionics scene, which is very interesting.

And I could go on, but will refrain. There are lots of edges that just don't fit into a nice dream-based puzzle, and I'm not sure how one would juggle them in - it seems a far too simplistic reading of the material to me.

Twin Peaks? Netflix ahoy!